华新社华尔街总部姚安琪报道 

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無界東西——國際青年藝術家優秀作品展 

青年藝術家是藝術不斷前⾏發展的未來⼒量 

      美國羅丹國際藝術家基⾦會和德雷塞爾⼤學威斯特法爾媒體藝術與設計學院五月二十五日联合推出了國際青年藝術家優秀作品网上观展。此次藝術展览得到了 Sherrill Kazan ( 聯合國⼈民委員會主席 ) ,著名大藝術家 Ting. Shao.Kuang 丁紹光 、Derek Gilman 德⾥克.吉爾曼、Jun Leng冷軍 、Maokun Pang ​龐茂琨 、Rende Yu 余潤德及 Dionisio Cimarelli 迪奧尼西奧.奇馬雷利等藝術家们的鼎力支持并出任网上藝術展览顾问和學術评委。

     “無界東西,國際青年藝術家優秀作品展”是在“全球化”語境下,⼀次多元紛呈的⽂化交流與藝術展現。它以⽆問東西、⽣命綻放和獨⽴⾃由之精神,洞見⼤美、眺瞻⼤同,凝聚東西⽅優秀青年藝術家之⼒作,突破地域局限,重構⼒量,再瞻遠⽅;以開放包容的全新展陳理念,探索和挑戰藝術的新境界新形態,呈現新時代青年藝術家之新作為新⽓象。此展览展出了國際40余位青年藝術家的優秀近作100幅,這是⼀批充滿活⼒和探索精神的年輕實⼒派藝術家,他們內⼼世界豐富,個⼈精神狀態以及⾃我⽣存狀態是他們創作思考和表達的重要題材。他们的繪畫語⾔及表現形式都有獨到之處,值得我們從學術研究的⾓度予以關註。

   ⽂化是需要彼此借鑒、尊重與認同的,東西⽅⽂化都對世界⽂明的發展做出了偉⼤的貢獻。⽂化只有在“無界東西”的視域和⽓度中,才能實現社會的和諧進步與⼈的全⾯發展。青年藝術家是藝術不斷前⾏發展的未來⼒量。縱觀歷史,古今中外很多偉⼤的藝術作品都是藝術家在青年時期創造出來的,許多取得卓越成就的藝術⼤師們, 在青年時代就達到了藝術創作的⾼峰。如⽂藝復興三傑中的⽶開朗基羅和拉斐爾,30多歲前就完成了舉世聞名的巨作《⼤衛》和《雅典學院》;荷蘭的梵⾼、法國的修拉、奧地利的席勒、意⼤利的莫迪⾥阿尼、美國的波洛克和中國古代的王希孟等等,都是在青年時期就獲得了傑出的成就。為此,本次“國際青年藝術家優秀作品展”將主題定義為“⽆界東西”,正是基於東西⽅⽂化的歷史發展淵源,通過展覽⾏為,搭建國際交流平臺,展⽰最新探索成果,呈現當代青年國際藝壇異彩紛呈的多元風貌,更好地促進青年藝術家們的進步與發展。

本次展覽由美國羅丹國際藝術家基⾦會和德雷塞爾⼤學威斯特法爾媒體藝術與設計學院聯合主辦,美國⼥神藝術博物館、紐約哈德遜當代藝術中⼼ 、 紐約視覺藝術學院(國際美術教育)协作支持。

總顧問:: Sherrill Kazan (聯合國⼈民委員會主席)

Consultant : William Schicktanz, Ting. Shao.Kuang

展覽顧問 :    威廉姆 希克坦茲,   丁紹光

Academic Advisor : Derek Gilman , Jun Leng, Maokun Pang

學術顧問:德⾥克.吉爾曼, 冷軍, 龐茂琨  

Academic Host : Dionisio Cimarelli,Runde Yu

學術主持:迪奧尼西奧.奇馬雷利, 余潤德

Curator : Eva Wang     策展人:王怡心  

Overall Coordination: Lida Sun   統籌協調:孫利達

Assistants : Henry ye,   Daniel Schicktanz,Ryuichi Sato

策展助理:     亨利 葉 ,     丹尼爾,  佐藤龍⼀

Chief planning mentor: Ellen Qiongzhao

總策劃指導:艾倫昭瓊

     此展覽因疫情原因先以線上展出的形式進⾏,待疫情過後再適時舉辦線下展覽。展覽展出 45 位國際青年藝術家優秀作品100 幅。

參展藝術家是 Dongfang Tenghong 東⽅騰弘,Junmu Chen 陳俊穆,Jun Pu 蒲軍,Han Mo 默涵,Jianwu Tan 譚建武,Weimin Tang 唐偉民,Jie Cai 蔡傑,Chengwei Wu 吳成偉,Yu Zhang 張宇,Yuan Lai 來源,Xiaobo Wang 王曉勃,Wei Wu 吳威,Lijuan Zhou 周麗萱,Qian Yang 楊倩,Qing Zhang 張青,Malgorzata Oakes 馬爾格薩塔.奧克斯,Ming Yu 於明,Xuexian Fan 範學賢,Jinfu Liu 林⾦福 , Yanqi Zhai 翟延奇,Lijie Yang 楊禮傑,Tianlong Gu 顧天龍,Huaqi Li 李華琪,Sariah Park 薩莉亞.帕克,Zhuo Li 李卓,Song Zhou 周松,Yaohong Liu 劉垚宏,Yunchuan Tan 譚雲川,Chenlin Cai 蔡陳林,Kexin Di 邸可新,Le Zheng 鄭樂,Qiaoming Mi ⽶巧銘,Ziyun Tong 仝紫雲,Longque Chen 陳龍闕,Dunhuang Chen 陳敦煌 , Bingling Qian 錢炳靈 , Jingwei Fang ⽅經緯 , Zilin Huang 黃⼦霖,Zhangliang Shuai 帥章亮,Evelyn Bergquist 伊芙琳· 伯格奎斯特,Marguerita Cruz-Urbanc 瑪格麗塔·克魯茲.烏爾班克,Jianfeng Chen 陳建豐,Zijun Chen 陳⼦君,David Ma ⼤衛.馬,Erin Antonak 艾琳.安東納克。

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RODIN INTERNATIONAL ARTISTS FOUNDATION

The Rodin International Artists Foundation is a non-profit organization that specializes in the development of international public art education and promotes the collection, placement, exhibition, research and academic exchange of public interest art works in several international cities, museums, fine art galleries and national parks. The foundation has established a wide range of business relationships with 30 more museums and art institutions around the world including France, Italy, Germany, the United Kingdom, China, Japan and others. The foundation is headquartered in Philadelphia (USA) while its office is located on the 20th floor of the Rockefeller Building in New York City. It has 3 international artists' collaboration teams and nearly 100 famous international artists.

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羅丹國際藝術家基金會簡介

羅丹國際藝術家基⾦會是⼀個專門從事國際公益藝術發展, 推動國際城市, 博物館, 美術館, 國家公園等公益藝術作品展覽、安置、收藏、研究和學術交流的⾮營利機構。基⾦會與世界30多家博物館,藝術⼤學和藝術學術機構建⽴了⼴泛的業務關系,其中包括法 國、意⼤利、德國、英國、中國、⽇本等。基⾦會總部位於美國費城, 辦事處在紐約洛克菲勒⼤廈20層。擁有3個國際藝術家協作團隊和近百名國際著名藝術家。

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BORDERLESS—— EASTERN AND WESTERN

 Excellent Artworks Exhibition by International Young Artists                    

     “Borderless” takes a large perspective on life and love that transcends geographical boundaries. Parallel with the development of mankind over time, it presents a view of a unified civilization through beauty in the fine arts, which, it is hoped, will override differences in art forms, ideologies, modes of thought, as well as lifestyles. Borderless—Eastern and Western: An International Exhibition of Young Artists is an exhibition of cultural exchange and a presentation of diverse forms of fine art that, in the pursuit of “globalization”, is intended to stand above regions, nations and countries. With a spirit of independence and freedom, the exhibition plans to bridge East and West, promoting civilized exchange. It is in this spirit that the exhibition offers insights into the beauty created not only by established painters, but also by talented young artists from East and West, without the limitations of time and space, so that viewers may gain inspiration and power from the exhibition to reconstruct their perspectives. This exhibition adopted a revolutionary philosophy of inclusiveness and liberality, and fosters a new atmosphere for a new era by presenting works of contemporary young artists. Here, different works resonate, and new ideas come to life.

  

   Cultural exchange and mutual learning have always been the impetus for the peaceful development of mankind in the course of history. In the 17th century, a group of Chinese people built Four Tang Temples in Nagasaki, Japan. All of the four temples feature strong a Chinese aesthetic and architecture. Master Yinyuan and his apprentices brought “Apricot culture” to Japan which had a great influence on Japanese architecture, sculpture, poetry, painting, calligraphy, as well as medicine. During the Edo period, a Qing Dynasty Chinese painter named Shen Quan (styled Nanping) was invited by the Shogunate. To teach painting in Nagasaki, he taught Japanese painters new flower and bird sketching techniques in combination with the styles of the Northern Song and Ming dynasties. The emergence of “Nanping School” style had a tremendous impact on the painting and aesthetic concepts during the Edo period. The trend also influenced a Japanese folk art called "Ukiyo-e." The fusion of the realistic painting skills in Chinese painting and the decorative arts in Japanese painting gave birth to a new style of "Ukiyo-e", which engendered a school of great Japanese "Ukiyo-e" painters represented by Katsushika Hokusai, Utagawa Toruhaharu, Utagawa Toyokuni, Utagawa Hiroshige, Utagawa Kunisada, Utagawa Kuniyoshi, and Keisai Eisen. This school of painters has important influences in the art history of Japan.    

   On the other hand, Western art in the 19th century was, to a great extent, influenced by Japanese "Ukiyo-e." Due to the disparity with Western classic painting, the unique form of "Ukiyo-e" printmaking--with its Eastern philosophical connotations--affected and transformed Western impressionist and post-impressionist genres and styles. Impressionist painters such as Monet, Degas, Gauguin and Van Gogh were all noted by their large-scale applications of the "Ukiyo-e" skills such as intense colors on the plane, free use of non-central structural composition, lack of perspective, and shadow skills. These painting skills and styles became the essential sources of their creativity and expression. In a sense, "Ukiyo-e" affected the transformation and development of the entire Western modern art.

        Russia is located in the intersection of Western and Eastern civilization and cultures. Historically, Russia has taken influences of both European religion and philosophy as well as Eastern cultures in forming its unique national characteristics and culture. Since the 1030s, under the specific historical circumstances, the political and cultural contact between Russia and China had been greatly increased. Hence, Soviet or Russian art greatly influenced the development of Chinese modern art. In the 1950s, Soviet art was generally/comprehensibly introduced into China  as “socialist realism” which had tremendous influence on the creation of a unique style of Chinese art called “revolutionary art”. Master Xu Beihong, who completed his art studies in France, also provided affirmation to the Soviet realism painting. He wrote a preface for the book “History of Soviet Art,” published in 1936 in China. The book made a contribution to the development of the school of realism in China.

       Since the 1980s, modern and contemporary art in the Western world became more closely connected and intertwined with Asian culture. At that time, modern and contemporary art was taking its shape in China. The iconic American art masters such as Andrew Wyeth, William De Kooning, Paul Jackson, Andy Warhol, Robert Rauschenberg and others greatly influenced not only the birth and development of modern art in China but also the artistic creation by young Chinese artists. With China’s reform and open-door policy, reference and integration of Western culture into Chinese culture helped Chinese artists expand the aesthetic horizon, exploring new landscapes of Chinese contemporary art to forge the new diversification of art development in China.

    Both Eastern and Western cultures made and are making significant and imperishable contribution to the development of world civilizations. Development of cultures and civilization can be realized only in the harmonious progress of human societies and overall development of mankind with tolerance to diverse cultures of the world. Young artists are the futuristic force driving the ceaseless flourish of art. Throughout history, it’s common in both East and West that masterpieces were created by artists in their youth, and masters reached the apex of their artistic career in juvenescence. For example, Michelangelo and Raphael, two of the so-called "Big Three of the High Renaissance," completed the world-renowned masterpieces David and The School of Athens before the age of 30. Van Gogh in the Netherlands, Seurat in France, Schiele in Austria, Modigliani in Italy, Pollock in the United States and Ximeng Wang in ancient China, all achieved exceptional achievements in their youth. Ergo the theme of “Exhibition of Excellent Works from International Young Artists” was set to be “Borderless-East and West”, building on the history of communication and collision between Eastern and Western Cultures. In this exhibition, we earnestly seek to build a platform for international discourse and cutting-edge explorations, present the colorful and multi-dimensional nature of modern International youth art, and there-fore boost the growth and advancement of young artists globally.

    This exhibition is co-sponsored and co-hosted by the Rodin International artist Foundation f The United States and Drexel University, Westphal College of Media and Design. We appreciate those internationally renowned artists who participate in the exhibition for sowing friendship in the land of art to advocate peace, introduce cultures and promote harmonious coexistence of different cultures in the world. Due to the Covid-10 pandemic, this exhibition will be held online first. An offline exhibition will be prepared at an appropriate time after the pandemic. he exhibition features more than 100 works by 45 international artists.       

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Important exhibition preview on June 25.

             6月25日重要展览预告:

  無界東西

  ——與大師同行, 國際著名藝術家作品展

  BORDERLESS—— EASTERN AND WESTERN

    “WALKING WITH GREAT ART MASTERS”

   An Exhibition Works by Internationally Renowned Artists